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影片名称:我有毒
影片别名:woyoudu
上映时间:2018年
国家/地区:其它
影片类型:恐怖片
影片语言:其它
影片导演:Daniel,de,la,Vega,Pablo,Parés
影片主演:Esteban,Prol,Horacio,Fontova,Sergio,Podelei,Gastón,Cocchiarale,Fini,Bocchino,Verónica,Intile,Goyo,Escardó,Demián,Salomón,Rodrigo,Ferreyra
资源类别:全集完整未删减版
资源更新:HD中字
总播放次数:23448次
Daniel,de,la,Vega,Pablo,Parés导演执导的《我有毒》,于2018年上映后获得了广泛好评。由Esteban,Prol,Horacio,Fontova,Sergio,Podelei,Gastón,Cocchiarale,Fini,Bocchino,Verónica,Intile,Goyo,Escardó,Demián,Salomón,Rodrigo,Ferreyra等主演,是一部优秀的恐怖片,讲述了Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.。
我有毒剧情介绍:Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
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